Journal of Iberian and Latin American Studies

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  Año 2017, Vol. 23, Número 3

  • Cinema’s Milieu: Negotiating the movies’ public and popular dimensions in early twentieth-century Brazil

    Maite Conde

    • Resumen

    págs. 277-296

    

  • ¿”Mujeres al borde de un naufragio” or female redeemers?: The representation and role of women in Galdós’s Torquemada novels (1889–95)

    Rhian Davies

    • Resumen

    págs. 297-316

    

  • Letters to the President: participation beyond the public sphere in Argentina, 1989–1999

    Tanya Filer

    • Resumen

    págs. 317-339

    

  • Mexican teleteatros: the cultural politics of prime-time series

    Melixa Abad Izquierdo

    • Resumen

    págs. 341-357

    

  • Lost in Santa Martha: Limitaciones para una etnografía en una cárcel de mujeres

    Helena López

    • Resumen

    págs. 359-366

    

  • The strange case of a national anthem without lyrics: music and political identities in Spain (1785–1913)

    Javier Moreno Luzón

    págs. 367-382

    

  • Uruguay’s long transitional decade and a new era of gendered activism

    Debbie Sharnak

    págs. 383-398

    

  • “El pájaro de cuatro notas”: the reception of Argentine women writers and artists’ work in avant-garde magazines (1920–1930)

    Camilla Sutherland

    págs. 399-416

    

  • The sword, the pen, and the uterus: multidirectional feminist culture and the Argentine dictatorship of 1976–1983

    Dalia Wassner

    págs. 417-441