Theatre and Performance Studies in English: An Introduction
págs. 7-17
Performing the Female Alternative in Victorian Popular Drama: The “Girl of the Period” and the “Fast Girl”
págs. 21-42
“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy
págs. 43-58
págs. 61-74
págs. 75-97
Performative Encounters: Memory Violence in Sleep Deprivation Chamber
págs. 101-117
Adaptation against Myth: Gary Owen’s Iphigenia in Splott and the Violence of Austerity
págs. 119-140
© 2001-2024 Fundación Dialnet · Todos los derechos reservados