What Satire Does: Lessons from the English Renaissance for the Great Age of American Satire
págs. 199-227
What Was American Verse Culture?
Lukas Moe (res.)
Es reseña de:
Poet-Critics and the Administration of Culture
Evan Kindley
Cambridge : Harvard University Press, 2017
Left of Poetry: Depression America and the Formation of Modern Poetics
Sarah Ehlers
Chapel Hill : University of North Carolina Press, 2019
Poetry Unbound: Poems and New Media from the Magic Lantern to Instagram
Mike Chasar
New York : Columbia University Press, 2020
págs. 229-240
Lucy Alford's Forms of Poetic Attention
Ben Glaser (res.)
Es reseña de:
Forms of Poetic Attention
Lucy Alford
New York : Columbia University Press, 2020
págs. 241-246
Edgar Garcia's Signs of the Americas: A Poetics of Pictography, Hieroglyphs, and Khipu
Alanna Hickey (res.)
Es reseña de:
Signs of the Americas: A Poetics of Pictography, Hieroglyphs, and Khipu
Edgar Garcia
Chicago : University of Chicago Press, 2020
págs. 247-252
Rachel Eisendrath, Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis
Dianne Mitchell (res.)
Es reseña de:
Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis
Rachel Eisendrath
Chicago : University of Chicago Press, 2018
págs. 253-258
Yohei Igarashi,The Connected Condition: Romanticism and the Dream of Communication
Alexis Chema (res.)
Es reseña de:
The Connected Condition: Romanticism and the Dream of Communication
Yohei Igarashi
Stanford, CA : Stanford University Press, 2019
págs. 259-264
Anna Kornbluh,The Order of Forms: Realism, Formalism, and Social Space
Ben Parker (res.)
Es reseña de:
The Order of Forms: Realism, Formalism, and Social Space
Anna Kornbluh
Chicago : University of Chicago Press, 2019
págs. 265-270
Len Gutkin, Dandyism: Forming Fiction from Modernism to the Present
Robert Stilling (res.)
Es reseña de:
Dandyism: Forming Fiction from Modernism to the Present
Len Gutkin
Charlottesville : University of Virginia Press, 2020
págs. 271-277
© 2001-2024 Fundación Dialnet · Todos los derechos reservados