págs. 439-466
Bawdy talk: The politics of women's public speech in "The lecturess and the bostonians"
págs. 467-485
Mixed messages: Authority and authorship in Mourning Dove's "Cogewea, the half-blood: A depiction of the Great Montana Cattle Range"
págs. 487-509
A combat with the past: Robert Penn Warren on race and slavery
págs. 511-530
Updike ignored: The contemporary independent critic
págs. 531-552
Caught in the web: Latinidad, AIDS, and allegory in "Kiss of the Spider Woman, the musical"
págs. 553-585
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