The Image of Florence in Lorenzo Ghiberti’s Gates of Paradise
Irina Chernetsky
págs. 13-30
Antonio Pollaiuolo’s Designs for the Equestrian Monument to Francesco Sforza: Patronage and Portraiture at the Court of Milan
Alison Manges Nogueira
págs. 31-55
Peindre l’homme inanimé: le corps en raccourci au Cinquecento
Pascale Dubus
págs. 57-76
The Limited Impact of Leonardo da Vinci’s Ideas on Painting in Sforza Milan
Michael W. Kwakkelstein
págs. 77-98
Plus semper quam pingitur: The Catholic Bruegel
Nils Büttner
págs. 99-109
Titian’s Flaying of Marsyas: Colorito Triumphant
Anthony Apesos
págs. 111-143
The Newly Discovered Portrait of Ito Mansio by Domenico Tintoretto: Further Insight into the Mystery of its Making
Shigetoshi Osano
págs. 145-160
The Decoration of the Jesuit Church of the Madonna dell’Umiltà in Venice, 1560-1606
Marie Louise Lillywhite
págs. 161-200
Michelangelo and the Gaze of Medusa
Mary D. Garrard
págs. 201-230
Domine, Quo Vadis? Annibale Carracci Approaches an Old Theme Anew
Saskia Rubin
págs. 231-253
Bernini’s Bust of Prospero Farinacci
Irving Lavin, Marilyn Aronberg Lavin
págs. 255-290
Virtuosity, Mutability, and the Sculptor’s Career in and out of the Low Countries, 1550–1650
Kristoffer Neville
págs. 291-318
The Ephemeral Apparatus for the Funeral of Jan III Sobieski in Rome: Cardinal Carlo Barberini’s Art and Politics
Giovan Battista Fidanza
págs. 319-333
Werner Tübke’s History of the German Working Class Movement of 1961 and its Place within his Commissioned Art Works
Frank Zöllner
págs. 335-363
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