Journal of language and politics

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  Año 2019, Vol. 18, Número 4

  • Discourse, music and political communication: towards a critical approach

    Lyndon C.S. Way

    • Resumen

    págs. 475-490

    

  • Transcending the moment: ideology and Billy Bragg

    Martin J. Power, Aileen Dillane

    • Resumen

    págs. 491-508

    

  • From Ireland to the States: the re-contextualisation of U2’s “Sunday, Bloody Sunday” in different political contexts

    Laura Filardo Llamas

    • Resumen

    págs. 509-525

    

  • ‘Get off your arse’: ‘Singing newspapers’ and political choirs in the UK

    Barbara Henderson

    • Resumen

    págs. 526-540

    

  • Paramilitarism and music in Colombia: an analysis of the 'corridos paracos'

    Eduar Barbosa Caro, Johanna Ramírez Suavita

    • Resumen

    págs. 541-559

    

  • Neoliberal feminism in contemporary South Korean popular music: discourse of resilience, politics of positive psychology, and female subjectivity

    Gooyong Kim

    • Resumen

    págs. 560-578

    

  • Music video as party political communication: opportunities and limits

    Lyndon C.S. Way

    págs. 579-597

    

  • From here: the multimodal construction of place in English folk field recordings

    Matthew Ord

    • Resumen

    págs. 598-616

    

  • From religious performances to martial themes: discourses of Shi’a musical eulogies, war and politics in Iran

    Soudeh Ghaffari

    • Resumen

    págs. 617-633