"I knew him in Padua": London theatre and early modern constructions of erudition
págs. 7-32
"El príncipe tirano" by Juan de la Cueva as the Spanish source of Thomas Lodge's "A Margarite of America": A comparative suggestion
págs. 33-53
The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford
págs. 55-78
"The sweet fruition of an earthly crown": Elemental mastery and ecophobia in "Tamburlaine the Great" and "Doctor Faustus"
págs. 79-96
"The gully-hole of literature": On the enregisterment of cant language in seventeenth-century England
págs. 99-117
First encounters of Europeans and Africans with Native Americans in Aphra Behn's "Oroonoko": White woman, black prince and noble savages
págs. 119-128




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