Artibus et historiae: an art anthology

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  Año 2016, Número 74. Dedicado a: Special issue in honour of Paul Joannides

  • Paul Joannides, un connaisseur à l'oeuvre

    Françoise Viatte

    • Resumen

    págs. 13-23

    

  • Eloquence in Raphael Drawings

    Ben Thomas, Catherine Whistler

    • Resumen

    págs. 25-36

    

  • A later chalk drawing by Giulio Romano

    Martin Clayton

    • Resumen

    págs. 37-41

    

  • Battista Franco's Osimo polyptych and its preparatory drawings

    Anne Varick Lauder, Hugo Chapman

    • Resumen

    págs. 43-58

    

  • Vicenzo Catena and Giorgione, reconsidered

    Anik Waldeck

    • Resumen

    págs. 59-71

    

  • A new half-length by Palma Vecchio: "Two women and a Shepherd"

    Peter Humfrey

    • Resumen

    págs. 73-77

    

  • Visionaria e monumentale: Sebastiano, Michelangelo, e la cappella Borgherini in San Pietro in Montorio

    Costanza Barbieri

    • Resumen

    págs. 79-101

    

  • A "Portrait of a Lady" by Sebastiano del Piombo and his reputation in Great Britain

    Piers Baker Bates

    • Resumen

    págs. 103-118

    

  • Building the brand. Titian self-portraits

    Matthias Wivel

    • Resumen

    págs. 119-138

    

  • Titian's portraits of Grand Chancellor Andrea de' Franceschi

    Deborah Howard

    • Resumen

    págs. 139-151

    

  • Procurators on the Threshold: sitters and beholders in Palma Giovanne's Crociferi "Entombment"

    Giorgio Tagliaferro

    • Resumen

    págs. 153-176

    

  • Ancora su Stefano Cernotto

    Mauro Lucco

    • Resumen

    págs. 177-193

    

  • 'il che esso Aurelio ebbe a dire che non aveva veduto mai cosa più rara al mondo per paesi': Aurelio Luini and Titian

    Lucia Tantardini

    • Resumen

    págs. 195-205

    

  • The view from behind: Veronese, Giulio Romano and the Rape of Europa

    Beverly Louise Brown

    • Resumen

    págs. 207-222

    

  • Una nota stonata. Un cambiamento nella Galleria Farnese di Annibale Carracci denunciato dal modo scorretto in cui è suonato uno strumento musicale

    Claudio Seccaroni

    • Resumen

    págs. 223-226

    

  • Interpretations of Raphael's Uffizi "St John the Baptist" by Bolognese rivals Guido Reni and Guercino

    Nicholas Turner

    • Resumen

    págs. 227-239

    

  • "Aspect" and "Prospect" - Poussin's "Triumph of Silenus"

    Helen Glanville

    • Resumen

    págs. 241-254

    

  • Some 'Giorgiones' in eighteenth-century England

    Brendan Cassidy

    • Resumen

    págs. 255-271

    

  • Raphael at the Royal Academy: Giovanni Volpato's "modelli" for engravings of the Vatican "Stanze" rediscovered

    Jonathan Yarker

    • Resumen

    págs. 273-282

    

  • Robert-Fleury's Delaroche and Delaroche's Raphael

    Stephen Bann

    • Resumen

    págs. 283-289

    

  • Luca della Robbia and his books. The Renaissance artist as a devotee

    Zuzanna Sarnecka

    • Resumen

    págs. 291-301