págs. 11-21
págs. 23-34
págs. 35-46
The problem of modernism and critical refusal: : Bradley and lamarque on form/content unity
págs. 47-59
págs. 61-74
págs. 75-86
Revisiting Ventzislavov's Thesis: : “curating should be understood as a fine art”
págs. 87-91
The curator as artist: : Reply to sue spaid
págs. 91-95
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