Materialist art history and its points of difficulty
Hollis Clayson
págs. 366-371
A sculpture, a column, and a painting: the tension between art and history
Tom Cummins
págs. 372-374
On not writing the history of Roman art
Natalie Boymel Kampen
págs. 375-378
Art, history, and vision
Richard J. Powell
págs. 379-382
Art and history: exploring the counterchange condition
Martin J. Powers
págs. 383-387
From a better history to a better politics
Otto Karl Werckmeister
págs. 388-391
Motivating History
Keith Moxey
págs. 392-401
Guido Reni's Pallione del Voto and the Plague of 1630
Catherine Rose Puglisi
págs. 402-412
The room of maps at Caprarola, 1573-75
Loren W. Partridge
págs. 413-444
Activating the effigy: Donatello's Pecci tomb in Siena Cathedral
Geraldine A. Johnson
págs. 445-459
Crusading ideology and the frescoes of S. Maria in Cosmedin
Anne Derbes
págs. 460-478
Late medieval Crete and Venice: an appropriation of Byzantine heritage
Maria Georgopoulou
págs. 479-496
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