págs. 208-223
págs. 224-235
Making the most of theatre and painting:: the power of tableaux vivants in joyous entries from the Southern Netherlands (1458-1635)
págs. 236-247
Parrhasios and the stage curtain: theatre, metapainting and the idea of representation in the seventeenth century
págs. 248-261
In front of the work of art: the question of pictorial theatricality in Italian art, 1400-1700
págs. 262-277
Staging Bianca Capello: painting and theatricality in sixteenth-century Venice
págs. 278-291
The performing venue: the visual play of Italian courtly theatres in the sixteenth century
págs. 292-303
págs. 304-319
How to become a picture: theatricality as strategy in seventeenth-century Dutch portraits
págs. 320-333
págs. 334-351
Oprar sempre come in teatro: the Rome of Alexander VII as the theatre of Papal self-representation
Maarten Delbeke
págs. 352-363
Ut pictura hortus/ut theatrum hortus: theatricality and french picturesque garden theory (1771-95)
págs. 364-377
págs. 378-387
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