Artibus et historiae: an art anthology

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  Año 1993, Número 27

  • Jan van Eyck, Realist and Narrator: On the Structure and Artistic Sources of the New York Crucifixion

    Adam S. Labuda

    • Resumen

    págs. 9-30

    

  • Lost and Partially Found: The Tondo, a Significant Florentine Art Form, in Documents of the Renaissance

    Roberta J. M. Olson

    • Resumen

    págs. 31-65

    

  • Michelangelo's Brutus and the Classicizing Portrait Bust in Sixteenth-century Italy

    Thomas Martin

    • Resumen

    págs. 67-83

    

  • A Key to Vermeer?

    Peter L. Donhauser

    • Resumen

    págs. 85-101

    

  • Some Seventeenth-Century Appraisals of Caravaggio's Coloring

    Janis Callen Bell

    • Resumen

    págs. 103-129

    

  • Ut Pictura Non Poesis: Lord Shaftesbury's "Ridiculous Anticipation of Metamorphosis" and the Two Versions of "Diana and Actaeon" by Paolo de Matteis

    Livio Pestilli

    • Resumen

    págs. 131-139

    

  • Bartolini interpretato con Jean-Jacques

    Carlo del Bravo

    • Resumen

    págs. 141-152

    

  • Classical Mythology in Twentieth-Century Art: An Overview of a Humanistic Approach

    Judith Bernstock

    • Resumen

    págs. 153-183

    

  • The Dream of Leonardo da Vinci

    James Beck

    • Resumen

    págs. 185-198