Modern drama

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  Año 2014, Vol. 57, Número 2

  • The Chronotopic Dynamics of Ibsen's "Pillars of Society": the Triumph of Industrialism or How Drama Becomes History

    Enriç Özdemir

    págs. 143-164

    

  • Ventriloquist Theatre and the Omniscient Narrator: Gatz and "El pasado es un animal grotesco"

    Barbara Fuchs

    págs. 165-186

    

  • Parody, E.E. Cummings and "Uncle Tom's Cabin"

    James M. Cherry

    págs. 187-206

    

  • 'A Little History Here, a Little Hollywood There': (Counter-)Identifying with the Spanish Fantasy in Carlos Morton's "Rancho Hollywood" and Theresa Chavez's "L.A. Real"

    Courtney Elkin Mohler

    págs. 207-228

    

  • 'Remove Your Mask': Character Psychology in Introspective Musical Theatre-Sondheim's "Follies", LaChiusa's "The Wild Party" and Stew's "Passing Strange"

    Alisa Roost

    págs. 229-251

    

  • Rethinking Sarah Kane's Characters: a Human(ist) Form and Politics

    Louise Lepage

    págs. 252-272