Frieze: Contemporary Art and Culture

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  Año 2012, Número 147

  • State of the Art: Open Eyes: Online or in person? The different ways of paying attention today

    Kirsty Bell

    págs. 15-16

    

  • Satire: Write of Spring: Life is a quotation. Sort of.

    Jennifer Higgie

    págs. 16-18

    

  • In These Intemperate Times: There, Not There: How our attitudes betray us

    Lynne Tillman

    págs. 19-20

    

  • Weekend Special: Made in Pyongyang: The controversial history of the $28-million African Renaissance Monument in Dakar

    Sean O'Toole

    págs. 20-22

    

  • Pretty, Pretty Good: Right & Wrong: Have American conservatives taken over transgression?

    Jennifer Allen

    págs. 23-24

    

  • Music: Do It Yourself: New York�s energetic community of experimental music and film venues

    Dan Fox

    págs. 25-28

    

  • Icons: Every Day is Good: One hundred years of John Cage

    Rob Young

    págs. 29-31

    

  • Ideal Syllabus: Brian Kennon: In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them

    Brian Kennon

    págs. 32-34

    

  • Debate: On Your Marks: The conflicted cultural legacy of the London 2012 Olympics

    Tom Morton

    págs. 35-38

    

  • Architecture: Towers of Babble: The ArcelorMittal Orbit and the recent history of large-scale folly

    Douglas Murphy

    págs. 39-44

    

  • Books: Non-linear reading

    Jenna Sutela

    págs. 45-48

    

  • Music: A voyage of discovery to Belgium�s Popcorn clubs

    Bob Stanley

    págs. 49-50

    

  • Monograph: Coming to Life: Spirits, objecthood and the �Black Forest voodoo� of Geoffrey Farmer�s mirages and micro-events

    Jan Verwoert

    págs. 152-157

    

  • Picture Piece: Robert Wyatt: Robert Wyatt was my life-model

    Lynda Morris

    págs. 158-159

    

  • Interview: The Middle of the Day: On the occasion of a year- long exhibition at Tate Britain, Frank Bowling talks about the �poured paintings� he began making in the early 1970s, getting advice from Clement Greenberg and the importance of improvisation

    Courtney J. Martin

    págs. 160-165

    

  • Infuences: Joana Hadjithomas & Khalil Joreige: For the first time in the new series, frieze invites artists Joana Hadjithomas and Khalil Joreige to write about the images that have informed their practice

    Joana Hadjithomas, Khalil Joreige

    págs. 166-169

    

  • Interview: Social Spaces: On the occasion of his exhibition at Protocinema in Istanbul, Dan Graham discusses sci-fi, dance, model-making and the �just-past� with Turkish artist Can Altay

    Dan Graham, Can Altay

    págs. 170-175

    

  • Focus: Alicja Kwade: The language of cinema and the psychology of sculpture

    Kito Nedo

    págs. 176-177

    

  • Case Study: Trisha Baga: The New York-based artist�s latest video installation, Plymouth Rock.

    Piper Marshall

    págs. 178-179

    

  • Art: Body Politics: Fabio Mauri's Ideology and Nature was re-performed at Venice this year. Here Barbara Casavecchia examines the artist's enquiry of art and ideology.

    Barbara Casavecchia

    págs. 180-185

    

  • Monograph: Woman of Letters: Moyra Davey�s films, photographs and writing are a sustained meditation on her family, literary influences, travels and environment

    Quinn Latimer

    págs. 186-193

    

  • Monograph: Future Memories: Dominik Lang�s work is deeply influenced by both the legacy of Czech conceptual art and his intimate relationship to his family home in Prague

    Noemi Smolik

    págs. 194-199

    

  • Focus: Studio Visit: Eddie Peake: The London-based artist�s recent performance work

    Eleanor Nairne

    págs. 200-202

    

  • Focus: Pilvi Takala: The Finnish artist�s subtly transgressive video performances

    Christy Lange

    págs. 203-204

    

  • Survey: Sculptors Discuss Sculpture: Leonor Antunes, Alice Channer, Thea Djordjadze, Liz Glynn, Charles Long, Christina Mackie, Karin Ruggaber, Kilian Rüthemann, Bojan �arcevic and Nicole Wermers are asked about the ways in which they feel meaning is controlled and conveyed in their work

    págs. 204-216