Artibus et historiae: an art anthology

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  Año 2012, Número 66

  • Spaces made strange: architectural oddity as devotional catalyst in the passion sequence of Duccio�s Maestà

    Gavin Wiens

    • Resumen

    págs. 9-27

    

  • Fra Angelico, les Médicis, les Mages et le concile de Florence: une histoire de temps entrecroisés

    Cyril Gerbron

    • Resumen

    págs. 29-47

    

  • The Legend of the True Cross reconsidered: a discovery in the Grotto Church of Andria, Italy (fifteenth century)

    Brigitte Baert

    • Resumen

    págs. 49-74

    

  • Verrocchio and the bust of Albiera degli Albizzi: portraits, poetry and commemoration

    Alison Luchs

    • Resumen

    págs. 75-97

    

  • His master's voice: painted inscriptions in the works of Domenico Ghirlandaio

    Eckart Marchand

    • Resumen

    págs. 99-120

    

  • A salute to you: expansion under the wings of Saint Mark

    Edward Grasman

    • Resumen

    págs. 121-131

    

  • Das Caritas-Motiv in Tizians Tempelgang der Maria

    Almuth Luckow

    • Resumen

    págs. 133-152

    

  • A plague saint for Venice: Tintoretto at the Chiesa di San Rocco

    Louise Marshall

    • Resumen

    págs. 153-187

    

  • La Descente de croix de Daniele da Volterra: iconographie, fonction et contexte

    Francesca Alberti

    • Resumen

    págs. 189-237

    

  • Seeing Chiari clearly

    Katherine Wallace, William Edward Wallace

    • Resumen

    págs. 239-246

    

  • Painting, drama and discomfort: the Great Painters' Hall of the Antwerp Saint Luke's Guild (1664¿1810)

    Timothy De Paepe

    • Resumen

    págs. 247-268

    

  • Death in America and Life Magazine: sources for Andy Warhol's disaster paintings

    John R. Blakinger

    • Resumen

    págs. 269-285

    

  • Andreas Stech's portraits of Johannes Hevelius in Gdansk and Oxford: at the origins of the portrait of the early modern scholar

    Teresa Grzybkowska

    • Resumen

    págs. 287-320