Storytelling, war trauma and aporias of history on stage: Richard Kalinoski's "Beast on the Moon" and José Rivera's "Cloud Tectonics"
págs. 13-27
The americanization of a bigot: from "Till death us do part" to "All in the family"
págs. 29-41
Naomi Wallace's "In the heart of America": the portrait of a woman's body as an ideological text
págs. 43-56
¿We are not the same person?: (auto)biography, (self)representation, and brechtian performativity in Lisa Kron's "Well"
págs. 45-62
A luncheon for suffrage: theatrical contributions of heterodoxy to the enfranchisement of the American woman
págs. 75-90
Call and response: Richard Rodriguez casts new light on brown as a "Fruity Text" on identity politics:
págs. 91-105
Wallace Stevens' and José Ángel Valente's first stage of the creative process: "Notes on a supreme fiction" and "Cinco fragmentos para Antoni Tàpies"
págs. 107-123
Black states of desire: Josephine Baker, identity and the sexual black body
págs. 125-139
'She'd make a splendid freak': female bodies on the American stage
págs. 141-156
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