págs. 287-303
Staging a 'Plurality of vision': diasporic performance in polycharacter monodrama
págs. 304-328
The canonization of Christopher Shinn: a modest proposal on ethics
págs. 329-355
"Drowned in Rabelaisian Laughter": Germans as grotesque comic figures in the plays of Tennessee Williams
págs. 356-372
"The Harlem Story": Langston Hughes´s screwy play "'Little Ham"
págs. 373-385
A London legacy of a Ira Aldridge: Henry Francis Downing and the paratheatrical poetics of Plot and Cast(e)
págs. 386-406
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