A case of mistaken identity: the "Sheldon" four seasons tapestries at Hatfield House reconsidered
págs. 1-28
A fruitful collaboration: Ian Hamilton Finlay and Margot Sandeman
págs. 29-50
The collaboration of texts and images in some christian emblems of Peacham's Minerva Britanna (1612)
págs. 51-64
págs. 65-94
págs. 95-114
"The good have nothing to fear from the rich": Did Alciato really believe that?
págs. 115-132
págs. 133-152
Alciato's practices of imitation: a new approach to studying his emblems
págs. 153-258
págs. 259-278
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