Modern drama

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  Año 2011, Vol. 54, Número 4

  • Auden and Britten 's "Paul Bunyan" and the frontiers of opera

    Matthew P. Carlson

    págs. 409-434

    

  • 'Or it might be you': audiences in and of T. S. Eliot's "Sweeney Agonistes"

    Julia Daniel

    págs. 435-454

    

  • All Wilde on the Western front: Alan Bennett, Tom Stoppard and the theatre of war

    Alex Feldman

    págs. 455-478

    

  • Dancing on the X-rays: on the theatre of memory, counter-memory, and postmemory in the post-1989 East-European context

    Yana Meerzon

    págs. 479-510

    

  • Censorship and immorality: Bernard Shaw's "The Devil's disciple"

    Brad Kent

    págs. 511-533

    

  • Absurd imprint: Grove Press and the canonization of the theatrical avant-garde

    Loren Glass

    págs. 534-561