págs. 9-40
págs. 41-64
págs. 65-74
págs. 75-90
Baccio da Monteluppo: "Virgin and Child". Attribution proposal and some observations on problems faced by researchers of the glazed terracotta madonnas in Budapest and Sèvres
págs. 91-108
págs. 109-114
págs. 115-120
Why did all the aristocrats disappear? Town-scapes by Filippo Giuntotardi in the Budapest collection
págs. 121-146
Land of Myths: the Art of Gustave Moreau
págs. 147-149
In praise of women: Alfons Mucha-Czech Master of the Art Nouveau
págs. 150-154
Sassetta/Jovánovics. Monochrome paintings: guest-exhibition from the László Vass Collection. The Cabinet exhibitions of nineteenth and twentieth century art collections II
págs. 154-156
Rembrandt: Peter denying Christ
págs. 157-158
From a desert encompassing all times: the heritage of the holy land-treasures from the Israel Museum, Jerusalem
págs. 159-162
Marta Pan: exhibition of sculpture
págs. 162-164
págs. 164-167
Botticelli to Titian: two centuries of italian masterpieces
págs. 168-172
The alchemy of beauty: Parmigianino-drawings and prints
págs. 173-174
Highlighted works of art: chamber exhibitions organized by the Collection of Clasical Antiquities
págs. 174-178
págs. 178-180
págs. 180-183
"Commerce and economy": Third International Congress for young egyptologists
págs. 183-185
El-Lahun survey project: the archaeological mission of the Museum of Fine Arts
págs. 186-190
págs. 190-193
págs. 193-194
págs. 194-197
"Drawing is the extension of thoughts, while graphic art is the reflection of ideas": Joseph Beuys (1921-1986), in his notes concerning the three series of graphics
págs. 198-205
The auratic clay: about the new Tàpies sculpture of the Museum of Fine Arts
págs. 205-209
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