Modern drama

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  Año 2010, Vol. 53, Número 2

  • Looking for the one who looks like some one: the unmarked subjects(s) in Gertrude Stein0s "A play called not and now"

    Julia Fawcett

    págs. 137-158

    

  • Capitalism and crime: brechtian economies in "The threepenny opera" and "Love, crime and Johannesburg"

    Florian Nikolas Becker

    págs. 159-186

    

  • "Some exceptions" and the "Normal thing": recosidering "Waiting for Godots" theatrical form through its prison performances

    Erin Koshal

    págs. 187-210

    

  • Lars Norén's long journey into night

    Luke Gilleman

    págs. 211-231

    

  • Reappropriating the pace-egging tradition: Ewan MacColl's "St. George and the dragon"

    Claire Warden

    págs. 232-243

    

  • Making a whore of freedom: Büchner's Mario episode

    Matthew Buckley

    págs. 244-265