Old Wrongs Rectified: The Presence of the Past in Fire in the Morning and This Crooked Way
Mary Ann Wimsatt
págs. 7-15
Madonna of the Marketplace: Art and Economics in Elizabeth Spencer's The Light in the Piazza
Kathryn Lee Seidel
págs. 16-22
Finding Gavin Anderson: Elizabeth Spencer's Portrait of the Artist
Terry Roberts
págs. 23-27
The Essential Threat of Losing Place: A Query into Elizabeth Spencer's The Salt Line
Tonita Branan
págs. 28-37
Killing the Marmaid: The Femme Fatale in Elizabeth Spencer's The Night Travellers
Betina Entzminger
págs. 38-48
Complementary Vulnerability in Four Spencer Women: Ambivalent Cultural Critique
Sharon E. Colley
págs. 49-53
Backwaters
Daniel J. Raffin
pág. 55
Photographs
Mónica Escalante
págs. 56-64
Binx Bolling - Walker Percy's Musing Scientist
John F. Desmond
págs. 65-76
Four-telling, Fore-told: Storytelling in Gail Godwin's The Good Husband
Kerstin W. Shands
págs. 77-86
Altered States of Consciousness in Suttree
William C. Spencer
págs. 87-92
Double Take's Documentary Ideals: A Review Essay
Lili Corbus Bezner
págs. 93-102
Meditating on Trailers: A Review Essay
Stephen Flinn Young
págs. 103-110
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