"Ars non inveniendi": riflessioni su una "Straw-man fallacy" e sul "contratenor" quale paratesto
págs. 1-22
págs. 23-38
Josquin's musical cricket: "El grillo" as humanist parody
págs. 39-54
Compere, "Des Pres", and the Choirmasters of Cambrai: "Omnium bonorum plena" reconsidered
págs. 55-74
págs. 75-98
Beyond the text: generic criticism and Beethoven's creative process
págs. 99-122
Mozart as a Vienesse moralist: "Die Zauberflöte" and its maxims
págs. 123-158
págs. 159-166
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