Modern drama

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  Año 2004, Vol. 47, Número 1

  • The Failure of History: Kushner's 'Homebody/Kabul' and the Apocaliptic

    M. Scott Phillips

    págs. 1-20

    

  • 'Traps', 'Softcops', 'Blue Heart', and 'This is a Chair': Tracking Epistemological Upheaval in Caryl Churchill's Shorter Plays

    Daniel Jernigan

    págs. 21-43

    

  • Sex, Lies, and Revisions: Historizing Hellman's 'The Children's Hour'

    Jenny S. Spencer

    págs. 44-65

    

  • Amputation, Phantom Limbs, and Spectral Agency in Shakespeare's 'Titus Andronicus' and Norman Chaurette's 'Les Reines'

    Shawn Huffman

    págs. 66-81

    

  • Masks of Language, Culture and Community: 'Sweet Revenge' in Marie Laberge's 'Le Night Cap Bar'

    Cara Gargano

    págs. 82-97

    

  • 'Swallowing the Lie' in Betty Lambert's 'Jennie's Story'

    Rosalynd Kerr

    págs. 98-113

    

  • Staging Schizophrenia: The Workman Theatre Project and Terry Watada's 'Vincent'

    Kirsty Johnston

    págs. 114-132

    

  • Living in the Edge: Memory, Material Circumstances, and Perception in the Theatre of Kama Ginkas

    Manon Van de Water

    págs. 133-148