Modern drama

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  Año 2007, Vol. 50, Número 4

  • The Prompter's Box: Modern Drama and Literary Criticism

    Allan Ackerman

    págs. 475-486

    

  • A Difficult Birth: Bringing Staging Studies to the Pages of 'Modern Drama'

    Marvin Carlson

    págs. 487-499

    

  • 'The Gas Heart': Disfigurement and the Dada Body

    Stanton B. Garner JR.

    págs. 500-516

    

  • 'Antígona' and the Modernity of the Dead

    Jill Lane

    págs. 517-531

    

  • Waiting for Recognition: An Aristotle for �Non-Aristotelian� Drama

    Elinor Fuchs

    págs. 532-544

    

  • Opening the Windshield: 'Death of a Salesman' and Theatrical Liberalism

    Andrea Most

    págs. 545-564

    

  • The Canonization of Eugene O�Neill

    David Savran

    págs. 565-581

    

  • Teaching Joe Turner's 'Come and Gone'

    Harry J. Elam Jr.

    págs. 582-600

    

  • Fun and Games with George and Nick: Competitive Masculinity in 'Who�s Afraid of Virginia Woolf'?

    Claire Virginia Eby

    págs. 601-619

    

  • Teaching 'A Doll House', 'Rachel', and 'Marisol': Domestic Ideals, Possessive Individuals, and Modern Drama

    Josephine Lee

    págs. 620-637