The Prompter�s Box: The Place of Modern Drama
Allan Ackerman
págs. 127-137
How to Do Nothing with Words, or 'Waiting for Godot' as Performativity
Richard Begam
págs. 138-167
Staging 'The Merchant of Venice' in Cork: The Concretization of a Shakespearean Play for a New Society
Lisa Fitzpatrick
págs. 168-183
The Ideal City: Heterotopia or Panopticon? On Joseph Brodsky�s Play 'Marbles' and Its Fictional Spaces
Yana Meerzon
págs. 184-209
'La Donna Mobile': Massimo Bontempelli�s Nostra Dea as Fascist Modernism'
Patricia Gaborick
págs. 210-232
Challenging the Selectivity of Memory in 1950s West Germany: Erwin Sylvanus�s 'Dr. Korczak and the Children'
Kerstin Mueller
págs. 233-257
Is Nothing to Be Done?
John Erickson
págs. 258-275
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