Modern drama

• 

  Año 2004, Vol. 47, Número 4

  • Mirror up to Nurture: J. M. Synge and His Critics

    Ben Levitas

    págs. 542-584

    

  • Irish Theatre: Conditions of Criticism

    Karen Fricker, Brian Singleton

    págs. 561-571

    

  • Violence on the Abbey Theatre Stage: The National Project and the Critic; Two Case Studies

    Cathy Leeney

    págs. 585-593

    

  • The Critical �Gap of the North�: Nationalism, National Theatre, and the North

    Mark Phelan

    págs. 594-606

    

  • Throwing Theory at Ireland? The Field Day Theatre Company and

    Shaun Richards

    págs. 607-623

    

  • �Besides the Obvious�: Postcolonial Criticism, Drama, and Civil

    Victor Merriman

    págs. 624-635

    

  • "The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh and the Impact of Globalization on Irish Theatre Criticism

    Patrick Lonergan

    • Resumen

    págs. 636-658

    

  • Irish Theatre Criticism: De-territorialisation and Integration

    David Cregan

    págs. 659-670

    

  • Irish Theatrical Celebrity and the Critical Subjugation of Difference

    David Cregan

    págs. 671-685

    

  • Wordmadeflesh: Writing the Body in Irish theatre

    Bernadette Sweeney

    págs. 686-700

    

  • Listening Differently: Johnny Hanrahan, Daphne Wright, and Croon

    Jools Gilson-Ellis

    págs. 701-720