Modern fiction studies

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  Año 1998, Vol. 44, Número 1

  • Colonial domination and the subordination of the Indegenous woman in Bolivia

    María Eugenia Choque Quispe

    págs. 10-23

    

  • The economy of performance: Gómez-Peña's New World Border: Gómez-Peña's New World Border

    Jill S. Kuhnheim

    págs. 24-35

    

  • Spirit glyphs: reimagining art and artist in the work of Chicana Tlamantinime: reimagining art and artist in the work of Chicana Tlamantinime

    Laura Elisa Pérez

    págs. 36-76

    

  • Comparative Diasporas: the local and the mobile in Abrahan Cahan and Alberto Gerchunoff: the local and the mobile in Abrahan Cahan and Alberto Gerchunoff

    Dalia Kandiyoti

    págs. 77-122

    

  • Translations of Gender, pain, and space: Wilson Harris's The Carnival Trilogy: Wilson Harris's The Carnival Trilogy

    Kerry L. Jhonson

    págs. 123-143

    

  • 'I suck coarse salt': Caribbean women writers in Canada and the politics of transcendence: Caribbean women writers in Canada and the politics of transcendence

    Meredith Gadsby

    págs. 144-163

    

  • Gender and exile: Jamaica Kincaid's Lucy: Jamaica Kincaid's Lucy

    Kristen Mahlis

    págs. 164-182

    

  • The angle of history's forged signature: the ruins of memory and the task of mourning in a Brazilliam post-dictatorial novel: the ruins of memory and the task of mourning in a Brazilliam post-dictatorial novel

    Idelber Avelar

    págs. 183-214

    

  • Infiernos Imaginarios: Puerto Rican marginality in Abniel Marat's Dios en el Playgirl de Noviembre and Eugenio María de Hostos's La Peregrinación de Bayoán: Puerto Rican marginality in Abniel Marat's Dios en el Playgirl de Noviembre and Eugenio María de Hostos's La Peregrinación de Bayoán

    Ramón E. Soto-Crespo

    págs. 215-239

    

  • Tenderness: A mediator of identity and gender construction in politics: A mediator of identity and gender construction in politics

    Ileana Rodríguez

    pág. 240