Medicine and the making of modern drama
Stanton B. Garner
págs. 311-328
Physiology, pathology and anti-mimesis in "The father" and "Mis Julie"
Amy Strahler Holzapfel
págs. 329-352
Epidemiology, medical authority and "An enemy of the people"
Timothy Matos
págs. 353-368
X-rays, hypnosis and Stanislavsky's production plan for "The seagull"
Shawn Kairschner
págs. 369-388
Prosthesis and function in Bertolt Brecht, Oskar Schlemmer and Just Jooss
Kate Elswit
págs. 389-410
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