Modern drama

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  Año 2002, Vol. 45, Número 3

  • Soyinka and the Canon's Mouth: 2452

    pág. 338

    

  • Modernity and Its Mirages: Wole Soyinka and the African State

    pág. 349

    

  • The Homestead at the Exit of the Paterfamilies: African Cultural Thought after Wole Soyinka

    pág. 358

    

  • Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests

    pág. 378

    

  • The Shifting Structures of Power in The Beautification of Area Boy: 494

    pág. 395

    

  • Elesin, Cuchulain, and the Kingdom: The Culture's Hero Sacrifice

    pág. 409

    

  • Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era

    pág. 430

    

  • Whose Theatre, Whose Africa? Wole Soyinka's The Road on the Road: 1965

    pág. 449