Sound of silent performances: Homoeroticism in Zora Neale Hurston's "Story in Harlem Slang : Jelly's Tale"
Neal A. Lester
págs. 10-20
"Yowin' and Jawin": Humor and the performance of identity in Zora Neale Hurston's Jonah's Gourd Vine
Debra Beilke
págs. 21-33
From "spears" to The Great Day: Zora Nelae Hurston's Vision of a Real Negro Theater
Barbara Speisman
págs. 34-46
"Tell Ole Pharaoh to Let My People Go": Communal deliverance in Zora Neale Hurston's Moses, Man of the mountains
Timothy P. Caron
págs. 47-60
Tracy L'Engre Angas and Zora Neale Hurston: Correspondance and friendship
Frank Orser
págs. 61-67
Floating homes and signifiers in Hurston's and Rawlings's autobiographies: 191
Annette Trefzer
págs. 68-76
"Seeing beyond seeing": Zora Neale Hurston's Religion(s)
John Lowe
págs. 77-88
"The Monstropolous Beast": The Hurricane in Zora Neale Hurston's Their Eyes were Watching God
Anna Lillios
págs. 89-93
Three by Zora Neale Hurston: Story, Essay, and Play
Zora Neale Hurston
págs. 94-102
págs. 113-123
Telling it in black and white: the importance of the africanist presence in to kill a mokingbird
Diann L. Baecker
págs. 124-132
Conflicting visions of the south in Grace king''s Memories of a Southern woman of letters: 16
Katharine Capshaw Smith
pág. 133
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