Modern drama

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  Año 1999, Vol. 42, Número 4

  • Chekhov's Tatyana Repina: from melodrama to mystery play

    Margarita Odesskaya

    págs. 475-490

    

  • The seagull: the stage mother, the missing father, and the origins of art

    Carol A. Flath

    págs. 491-510

    

  • 'A subject worthy of Ayvazovsky's brush': Vanya's misdirected fury

    Karl D. Kramer

    págs. 511-518

    

  • Stanislavsky's production score for Chekhov's The Cherry Orchard (1904): a synoptic overview

    Nick Worrall

    págs. 519-540

    

  • Center stage: Chekhov in Russia 100 years on

    John Freedman

    págs. 541-564

    

  • Chekhov translated: Shaw's use of sound effects in Heartbreak house

    Miriam Handley

    págs. 565-578

    

  • The whole of Italy is our Orchard: Strehler's Cherry Orchard

    Pia Kleber

    págs. 579-594

    

  • Unfinished pieces: from Platonov to Piano

    David Allen, Marco Ghelardi

    págs. 595-614

    

  • Chekhov in Massachusetts: competing modernisms at the american repertory theatre

    John Tulloch, Tom Burvill, Andrew Hood

    págs. 615-633

    

  • Friel's Ballybeggared version of Chekhov: 2555

    David Krause

    págs. 634-649