Modern drama

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  Año 2003, Vol. 46, Número 3

  • Mother Courage and Its Abject: Reading the Violence of Identification

    pág. 339

    

  • The Configurations of Gender in Tomson Highway's Dry Lips Oughta Move to Kapuskasing: 2133

    pág. 358

    

  • Antigone's Bodies: Performing Torture

    pág. 381

    

  • Been There, Done That: Paving the Way for The Vagina Monologues

    pág. 404

    

  • Clay and Clara: Baraka's Dutchman, Kennedy's The Owl Answers, and the Black Arts Movement

    pág. 424

    

  • "The Future of Old Trinidad": The Performance of National Cultural Identity in Two Plays by Derek Walcott

    pág. 450

    

  • Brian Friel and the Scene of Writing: Reading Give Me Your Answers, Do!

    pág. 470

    

  • "What Is Carnal Embrace?" Learning to Converse in Stoppard's Arcadia: 1638

    pág. 482

    

  • Performing Canada: The Nation Enacted in the Imagined Theatre. Textual Studies in Canada 15 (2002) (Book)

    pág. 503

    

  • Twelve Opening Acts (Book): 1475

    pág. 505

    

  • Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium (Book)

    pág. 508

    

  • Body Show/s: Australian Viewings of Live Performance (Book)

    pág. 513

    

  • Mapping Cultural Identity in Contemporary Australian Performance (Book): 1803

    pág. 516

    

  • Theatre and the State in Twentieth-Century Ireland: Cultivating the People (Book)

    pág. 518

    

  • Theatre, Society and the Nation: Staging American Identities (Book)

    pág. 520

    

  • McKee Rankin and the Heyday of the American Theater (Book): 1476

    pág. 522

    

  • Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48 (Book)

    pág. 525

    

  • O'Neill: Long Day's Journey into Night (Book)

    pág. 527

    

  • The Undiscovered Country: The Later Plays of Tennessee Williams (Book)

    pág. 530

    

  • Playwrights in Rehearsal: The Seduction of Company (Book)

    pág. 533