Modern drama

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  Año 2002, Vol. 45, Número 4

  • "Finding Our Feet in the Shoes of (One An) Other": Multiple Character Solo Performers and Utopian Performatives

    pág. 495

    

  • Removing the Veils: Censorship, Female Sexuality, and Oscar Wilde's Salome

    pág. 519

    

  • Mixing Everything at the Beginning: Telling Stories about Empire in Yeat's On Baile's Strand

    pág. 545

    

  • "In the Gripe of the Ditch": Nationalism, Famine, and The Playboy of the Western World

    pág. 567

    

  • The Veil of Jinotaj: Naskov´'s Loviisa of Niskvuori and National Resistance at Prague's Provisional Theater during the Protectorate

    pág. 593

    

  • Life Goes On: Endgame as Anti-Pastoral Elegy

    pág. 611

    

  • The Aesthetics of Refusal: Pinter among the Radicals

    pág. 628

    

  • Adaptation After Darwin: Timberlake Wertenbaker's Evolving Texts

    pág. 646

    

  • Samuel Beckett in the New Century: 1796

    pág. 663