Meg Twycross: 1970
S. Carpenter
págs. 1-6
R. Beadle
págs. 7-48
Discipline, Dignity and Beauty: The Wakefield Mystery Plays, Bretton Hall, 1958
P. Butterworth
págs. 49-80
págs. 81-118
Authentic Moors: Two Cases of Muslim Participation in Sixteenth-Century European Mock Battles
M. Harris
págs. 119-128
págs. 129-150
Queen Elizabeth and Essex: A Dutch Rhetoricians' Play
W. Husken
págs. 151-170
The Rehabilitation of Margery Kempe: 687
S. Hussey
págs. 171-194
`It pleaseth the Lord to discover his displeasure': the 1652 performance of Mucedorus in Witney
A. F. Johnston
págs. 195-210
`He pleyeth Herodes upon a scaffold hye'?: 895
P. M. King
págs. 211-228
págs. 229-254
But What Does the Fleming Say?: The Two Flemish Proverbs and their Contexts in Chaucer's Canterbury Tales
G. Latré
págs. 255-274
Old Theatre for New: The Cambridge Medieval Players (1974-1977), The Medieval Players (1980-1992)
D. Mccaw
págs. 275-288
Significant Gestures: Two Medieval Illustrations of Classical Theatre
J. Mckinnell
págs. 289-320
págs. 321-344
`Comyth in Robyn Hode': Paying and Playing the Outlaw at Croscombe
J. Marshall
págs. 345-368
Carved and Spoken Words: the Angelic Saluation, The Mary Play and South Walsham Church, Norfolk
págs. 369-398
Chester's Covenant Theology: 873
D. Mills
págs. 399-412
The Living Text: The Play, The Players, and Folk Tradition
T. Pettitt
págs. 413-430
Impersonating Spirits: Ghosts and Souls on the Medieval Stage
R. Portillo
págs. 431-438
Cornelis van Ghistele's Defence of Rhetoric: 541
E. Strietman
págs. 439-480
© 2001-2024 Fundación Dialnet · Todos los derechos reservados