Scipting Scarlett O'Goldberg: Margaret Mitchell, Tenesse Williams and the production of southern Jewishness in The Last Night of Ballyhoo
Gary Richards
págs. 5-16
The death of the southern male gaze: Josephine Humphreys's cultured revisionings
págs. 17-34
Cocks, balls, bats and banjos: masculinity and competition in the Bluegrass Music of Bill Monroe
Bill Hardwig
págs. 35-48
Poe's female narrators: 1162
Barbara Cantalupo
págs. 49-57
Tragedy on the road to enigma: ritual death en Harry Crews's The Gospel Singel
págs. 58-62
Mike Nichols's film adaptation of Primary Colors: 1705
H. Wayne Schuth
págs. 63-66
págs. 67-82
Introduction: projecting ligth into Holliwood's shadows : Trans/nacional cinemas and cultural identity
págs. 83-86
Constructing America for German reconstruction: American films and re-education in occupied Germany, 1945-1947
Jennifer Fray
págs. 87-100
Narrative excess without a cause: the institutional reception of Hollywood family melodrama in 1950s Finland
págs. 101-107
David S. Frey
págs. 108-122
Film production in Argentina under democracy, 1983-1989: The Official Story (La historia oficial) as an international film
Tamara L. Falicov
págs. 123-134
Vanishing points: roads and national identities in moderm Brazilian film
Claudia Barbosa Nogueira
págs. 135-147
The erotics of citizenship: Derek Jarman's Jubilee and Isaac Julien's Young Soul Rebels
págs. 148-160
Orientalism and Film Noir: (Un)mapping textual territories and (En)countering the narratives
Susana Loza
págs. 161-174
Brusque and exotic: Anthony Quinn, national identity, and masculinity, 1951-1966
Jaime Cardenas
pág. 175
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