Wonders of cinematic abstraction: J. C. Mol and the aesthetic experience of science film
M. Wahlberg
págs. 273-290
Archive aesthetics and the historical imaginary: Wisconsin Death Trip
J. Corner
págs. 291-306
Telling and retelling in the `Ink of Light': documentary cinema, oral narratives and indigenous identities
J. Hearne
págs. 307-326
Performing memory on television: documentary and the 1960s
M. Macdonald
págs. 327-346
Virtualizing the Real: sequelization and secondary memory in Steven Spielberg's Artificial Intelligence: A. I
C. Jess-Cooke
págs. 347-366
Adam Lowenstein, Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film
K. Rowe
págs. 367-372
Thomas Elsaesser, European Cinema. Face to Face with Hollywood
T. Bergfelder
págs. 373-378
Stella Bruzzi, Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood and Mike Chopra-Gant, Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir
M. Fradley
págs. 379-386
Susan Courtney, Hollywood Fantasies of Miscegenation: Spectacular Narratives of Gender and Race, 1903-1967
C. Regester
págs. 387-393
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