The drawings of Jean-Marc Nattier: identifying the master's hand
págs. 3-11
Recording the 'wonderful meteor' of 18 August 1783: the Sandbys, 'Samuel Scott' and heavenly bodies
págs. 12-19
págs. 20-21
Colour in Italian renaissance drawings: reconciling theory and practice in central Italy and Venice
págs. 22-30
Hogarth, Amigoni and 'The Rake's Levee': new light on 'A Rake's Progress'
págs. 31-37
Hogarth's 'Marriage A-la-Mode' scene III: a re-inspection of 'The Inspection'
págs. 38-39
Don Quixote's breastplate: the seventh Hogarth illustration
págs. 40-44
Turner and the'scale practice' in British watercolour art: Tint by tint by tint
págs. 45-51
Edmund Schilling (1888-1974), scholar and collector: Old Master drawings at the British Museum
págs. 52-53
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