Organised sound

• 

  Año 2006, Vol. 11, Número 2

  • EDITORIAL

    págs. 91-92

    

  • Towards a semiotic model of mixed music analysisI would like to thank Joanna Kantor-Martynuska for her comments and help with translation

    págs. 93-100

    

  • Towards a semiotic model of mixed music analysis

    P. Lalitte

    págs. 93-100

    

  • The Analysis of Electroacoustic Music: from sources to invariants

    págs. 101-112

    

  • The Analysis of Electroacoustic Music: from sources to invariants

    B. Bossis

    págs. 101-112

    

  • The Identity of the Work: agents and processes of electroacoustic music

    págs. 113-118

    

  • The Identity of the Work: agents and processes of electroacoustic music

    L. Zattra

    págs. 113-118

    

  • (Re) Presenting electroacoustic music

    págs. 119-123

    

  • (Re) Presenting electroacoustic music

    P. Couprie

    págs. 119-124

    

  • Analysing and Transcribing Electroacoustic Music: the experience of the Portraits polychromes of GRM

    E. Gayou

    págs. 125-130

    

  • Something Lost, Something Hidden, Something Found: electroacoustic music by Latin American composers

    R. D. Farra

    págs. 131-142

    

  • Making the Archive and Archiving the Making: insights and outcomes from a major research project

    S. Waters

    págs. 143-148

    

  • Gestural-Sonorous Objects: embodied extensions of Schaeffer's conceptual apparatus

    págs. 149-157

    

  • Gestural-Sonorous Objects: embodied extensions of Schaeffer's conceptual apparatus

    R. I. Godoy

    págs. 149-158

    

  • Juxtaposition and Non-motion: Varese bridges early modernism to electroacoustic music

    G. S. Kendall

    págs. 159-172

    

  • Noise/music and representation systems

    págs. 173-178

    

  • Noise/music and representation systems

    D. Van Nort

    págs. 173-178

    

  • From Peering in the Window to Opening the Door: a constructivist approach to making electroacoustic music accessible to young listeners

    A.-M. Higgins

    • Resumen

    págs. 179-188

    

  • Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project

    R. Weale

    • Resumen

    págs. 189-200