'O fair Britannia Hail': The 'most superb' State Coach
págs. 3-12
Confirming a Poussin: new evidence from the Walker Art Gallery, Liverpool
págs. 13-20
A sixteenth-century Tuscan painter at mid-century: more on the late work of Carlo Portelli
págs. 21-27
págs. 28-33
Rosso fiorentino and Raphael: a question of influence
págs. 34-39
A mysterious 'Salon': The Vienna International Exhibition of 1882 by Wilhelm Gause
págs. 40-46
Segantini's centennial ceclebrations: an afterthought
págs. 47-52
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