Modernism = Modernity

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  Año 2006, Vol. 13, Número 2

  • This Is Not a Movie: Ulysses and Cinema

    M. DiBattista

    págs. 219-236

    

  • T. S. Eliot and Cinema

    D. Trotter

    págs. 237-266

    

  • "A New Form of True Beauty": Aesthetics and Early Film Criticism

    L. Marcus

    págs. 267-290

    

  • White Christmas, or Modernism

    J. D. Rhodes

    págs. 291-308

    

  • "The Grand Heretics of Modern Fiction": Laura Riding, John Cowper Powys, and the Subjective Correlative

    J. McGann

    págs. 309-324

    

  • Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis

    M. Golston

    págs. 325-348

    

  • Less Light: The End(s) of Aestheticism in Pater, Ondaatje, and Sebald

    N. Rosenfeld

    págs. 349-366

    

  • Spooky Joyce

    F. Fordham

    págs. 367-374

    

  • The New Harlem Renaissance Studies

    D. E. Chinitz

    págs. 375-382

    

  • Sianne Ngai Ugly Feelings

    J. L. Fleissner

    págs. 383-384

    

  • Maria Gough The Artist as Producer: Russian Constructivism in Revolution

    C. Douglas

    págs. 385-387

    

  • Luca Somigli and Mario Moroni, eds. Italian Modernism: Italian Culture between Decadentism and Avant-Garde

    A. Harrison

    pág. 388

    

  • Aaron Jaffe Modernism and the Culture of Celebrity

    F. Hammill

    págs. 389-390

    

  • Gypsy Rose Lee The G-String Murders

    M. DiBattista

    págs. 391-392

    

  • Evelyn Piper Bunny Lake Is Missing

    K. Mullin

    pág. 393

    

  • Susan McCabe Cinematic Modernism: Modernist Poetry and Film

    D. Trotter

    págs. 394-395

    

  • Charles O'Brien Cinema's Conversion to Sound: Technology and Film Style in France and the U.S

    M. Barnier

    pág. 396

    

  • Frances Guerin A Culture of Light: Cinema and Technology in 1920s Germany

    C. O Brien

    págs. 397-398

    

  • Omer Bartov The "Jew" in Cinema: From "The Golem" to "Don't Touch My Holocaust"

    D. Biale

    págs. 399-400

    

  • Iain Topliss The Comic Worlds of Peter Arno, William Steig, Charles Addams and Saul Steinberg

    J. Greenberg

    págs. 401-402

    

  • Neil Corcoran Elizabeth Bowen: The Enforced Return

    M. Fegan

    págs. 403-404

    

  • William Watkin On Mourning: Theories of Loss in Modern Literature

    P. Rae

    págs. 405-406

    

  • W. J. T. Mitchell What Do Pictures Want? The Lives and Loves of Images

    M. A. Caws

    págs. 407-408

    

  • Joanne Feit Diehl, ed. On Louise Gluck: Change What You See

    N. Devarenne

    pág. 409

    

  • Thomas DePietro, ed. Conversations with Don DeLillo

    M. Gauthier

    págs. 410-412