Screen

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  Año 2006, Vol. 47, Número 1

  • `A fine and private place': the cinematic spaces of the London Underground

    C. Brunsdon

    págs. 1-18

    

  • The art film, affect and the female viewer: The Piano revisited

    B. Klinger

    págs. 19-42

    

  • Narrating the new Japan: Biograph's The Hero of Liao-Yang (1904)

    G. A. Waller

    págs. 43-65

    

  • Walking into and out of the spectacle: China's earliest film scene

    L. Pang

    págs. 66-80

    

  • Multiplex programming in the UK: the economics of homogeneity

    D. Allison

    págs. 81-90

    

  • Ofcom's first year and neoliberalism's blind spot: attacking the culture of production

    S. Harvey

    págs. 91-106

    

  • The non-democratic regulator: a response to Sylvia Harvey

    D. Redding

    págs. 107-112

    

  • Rune Waldekranz: Swedish pioneering film historian

    A. S. Widding

    págs. 113-118

    

  • Janet Thumim, Inventing Television Culture: Men, Women and the Box; William Boddy, New Media and Popular Imagination: Launching Radio, Television and Digital Media in the United States

    J. Bennett

    págs. 119-124

    

  • Michael Renov, The Subject in Documentary

    J. Corner

    págs. 125-128

    

  • Georgina Born, Uncertain Vision: Birt, Dyke and the Reinvention of the BBC

    J. Light

    págs. 129-132

    

  • Su Holmes & Deborah Jermyn (eds), Understanding Reality Television; Annette Hill, Reality TV - Audiences and Popular Factual Television; Anita Biressi & Heather Nunn, Reality TV - Realism and Revelation

    H. Piper

    págs. 133-138