Modernism = Modernity

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  Año 2006, Vol. 13, Número 1

  • Reimagining the Flaneur: The Hero of the Novel in Lukacs, Bakhtin, and Girard

    M. Gluck

    págs. 1-18

    

  • Possession: Intimate Artifice at The Menil Collection

    P. Smart

    págs. 19-40

    

  • Oppen's Silence, Crusoe's Silence, and the Silence of Other Minds

    O. Izenberg

    págs. 41-66

    

  • The Paradoxical Poetics of Edith Sodergran

    U. Lindqvist

    págs. 67-88

    

  • The Rhetoric of Efficiency in Early Modernism

    S. Raitt

    págs. 89-106

    

  • Did it Flow?: Bridging Aesthetics and History in Joyce's Ulysses

    A. Freedman

    págs. 107-122

    

  • Ulysses: Mired in the Universal

    E. Horowitz

    págs. 123-142

    

  • Margherita Sarfatti and Italian Cultural Nationalism

    C. Paul, B. Zaczek

    págs. 143-170

    

  • "Eliot Without Tears"

    J. Harding

    págs. 171-178

    

  • Elizabeth S. Goodstein Experience Without Qualities: Boredom and Modernity

    J. Wolff

    págs. 179-180

    

  • Wayne Andersen Cezanne and the Eternal Feminine

    C. Harrison

    págs. 181-182

    

  • Barbara Walker Maximilian Voloshin and the Russian Literary Circle: Culture and Survival in Revolutionary Times

    S. Pratt

    págs. 183-184

    

  • Gregg Lambert The Return of the Baroque in Modern Culture

    M. Kaup

    págs. 185-187

    

  • Paul Levy, ed. The Letters of Lytton Strachey

    T. Avery

    pág. 188

    

  • Ira B. Nadel Ezra Pound: A Literary Life

    T. Redman

    págs. 189-190

    

  • Wolfgang Streit Joyce/Foucault: Sexual Confessions

    V. M. Plock

    pág. 191

    

  • Kristin Bluemel George Orwell and the Radical Eccentrics: Intermodernism in Literary London

    L. Colletta

    págs. 192-193

    

  • Dudley Andrew and Steven Ungar Popular Front Paris and the Poetics of Culture

    E. Weber

    págs. 194-195

    

  • Margery Palmer McCulloch, ed. Modernism and Nationalism: Literature and Society in Scotland 1918-1939; Christopher Whyte Modern Scottish Poetry

    N. K. Gish

    págs. 196-198

    

  • William L. Van Deburg Hoodlums: Black Villains and Social Bandits in American Life

    K. Pfeiffer

    pág. 199

    

  • Martin Summers Manliness & Its Discontents: The Black Middle Class & The Transformation of Masculinity, 1900-1930

    W. L. Hogue

    págs. 200-201

    

  • Nicholas Daly Literature, Technology, and Modernity, 1860-2000

    J. X. Cooper

    págs. 202-203

    

  • Robert Garis The Films of Orson Welles

    E. Gallafent

    págs. 204-205

    

  • Eugene Richie, ed. John Ashbery: Selected Prose

    Bonnie Costello

    págs. 206-208

    

  • Jay Prosser Light in a Dark Room: Photography and Loss

    M. North

    pág. 209

    

  • Douglas Field, ed. American Cold War Culture

    S. L. Carruthers

    págs. 210-211

    

  • David Tomas Beyond the Image Machine: A History of Visual Technologies

    K. Warwick

    págs. 212-218