New Women of the Silent Screen: China, Japan, Hollywood
C. Russell
págs. 1-14
Imaging Modern Girls in the Japanese Woman's Film
M. Wada-Marciano
págs. 15-56
Naruse Mikio's Silent Films: Gender and the Discourse of Everyday Life in Interwar Japan
págs. 57-90
In the Twilight of Modernity and the Silent Film: Irie Takako in The Water Magician
C. Kinoshita
págs. 91-128
The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman
S. Ross
págs. 129-158
The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era
Y. Wang
págs. 159-192
From Pearl White to White Rose Woo: Tracing the Vernacular Body of Nuxia in Chinese Silent Cinema, 1927-1931
W. Bao
págs. 193-230
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