Letter from the Editors
págs. 250-251
T. E. LAWRENCE THE TURKS, AND THE ARAB REVOLT IN THE CINEMA: ANGLO-AMERICAN AND TURKISH REPRESENTATIONS
págs. 252-261
Francis Speaks: The Vintner as Auteur
pág. 262
Filming The Longest Day: Conflicting Interests
págs. 263-269
Practical joker: The Invention of a Protagonist in Full Metal Jacket
págs. 270-279
"Take a Soldier, Take a King": The (In)Separability of King and Conflict in Branagh's Henry V
págs. 280-289
Terror and Rebirth: Cathleen ni Houlihan, from Yeats to The Crying Game
págs. 290-305
Friendly Fire: Epistolary Voice-Over in Terrence Malick's The Thin Red Line
págs. 306-312
Escape from Patria(rchy), Return to the (M)other: The Italian Invasion of Greece in Mediterraneo and Captain Corelli's Mandolin
págs. 313-321
A Hollywood Staple: The War Film
págs. 322-324
Spectacular Utah, Spectacular Shakespeare! How about a Conference in Paradise, Pilgrim?
págs. 325-327
A Brakhage Festschrift
págs. 328-329
© 2001-2026 Fundación Dialnet · Todos los derechos reservados
Coordinado por: