Critique: Studies in contemporary fiction

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  Año 2005, Vol. 47, Número 1

  • Single, Long-Playing, and Compilation: The Formats of Audio and Amorousness in Nick Hornby's High Fidelity

    Mikko Keskinen

    págs. 3-21

    

  • Alger's Shadows in Jane Smiley's A Thousand Acres

    Kyoko Amano

    págs. 23-39

    

  • Mutating Literary Form and Literalizing Scientific Theory in Liz Jensen's Ark Baby

    Barbara L. Estrin

    págs. 41-56

    

  • "And as things fell apart": The Crisis of Postmodern Masculinity in Bret Easton Ellis's American Psycho and Dennis Cooper's Frisk

    Mark Storey

    págs. 57-72

    

  • "Kin to Nobody": The Disruption of Genealogy in Larry McMurtry's Lonesome Dove

    John Miller-Purrenhage

    págs. 73-89

    

  • Historia and Guilt: Graham Swift's Waterland

    James Acheson

    págs. 90-100

    

  • Passing as Tragedy: Philip Roth's The Human Stain, the Oedipus Myth, and the Self-Made Man

    Patrice D. Rankine

    págs. 101-112