Early music

• 

  Año 2005, Vol. 33, Número 3

  • Editorial

    Tess Knighton

    págs. 369-370

    

  • Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti

    David Dolata

    págs. 371-391

    

  • Point/counterpoint: Vicentino's musical rebuttal to Lusitano

    Timothy R. McKinney

    págs. 393-411

    

  • Attributions to Giovanni Rovetta

    Jonathan Drennan

    págs. 413-422

    

  • Musical offerings in the Renaissance

    Rob C. Wegman

    págs. 425-437

    

  • Don Juan de Austria and the Venetian music trade

    Steven Zohn, Michael J. Levin

    págs. 439-446

    

  • The Hanover orchestral repertory, 1672-1714: significant source discoveries

    Erik Albertyn

    págs. 449-469

    

  • Performance practice of recitativo secco in the first half of the 18th century

    Dieter Gutknecht

    págs. 473-493

    

  • Treble or soprano? Performing Tallis

    Peter Phillips

    págs. 495-502

    

  • The birth of the orchestra

    Peter Holman

    págs. 503-505

    

  • The one-to-a-part concerto

    Andrew Manze

    págs. 506-508

    

  • A story of 'A'

    Andrew Johnstone

    págs. 508-509

    

  • Conservation versus use

    Jeremy Montagu

    págs. 510-511

    

  • The south German violin

    Tassilo Erhardt

    págs. 511-513

    

  • 'The cradle of music in Ireland'

    Rachel Cowgill

    págs. 514-515

    

  • Couperin in context

    Graham Sadler

    págs. 516-518

    

  • Concerts in English society

    Barra Boydell

    págs. 518-520

    

  • Sammartini revisited

    Michael Talbot

    págs. 520-522

    

  • The arcane colours of Fayrfax

    John Milsom

    págs. 523-524

    

  • A pastoral and 'the Scottish play'

    Mark Humphreys

    págs. 524-526

    

  • Visions of the Middle Ages

    Ivan Moody

    págs. 527-528

    

  • Phantasms sweet

    Lucy Robinson

    págs. 528-530

    

  • Harpsichord music from England and Germany

    John Kitchen

    págs. 530-532

    

  • The recorder across Europe

    Francis Knights

    págs. 532-533

    

  • Baroque voices and violins

    Elizabeth Roche

    págs. 533-535

    

  • The artful harpsichord

    David Ledbetter

    págs. 535-536

    

  • Vivaldi in madness and mirth

    Michael Talbot

    págs. 536-538

    

  • The sweet sound of cultures clashing

    Joyce Lindorff

    págs. 538-539

    

  • Seeking early English keyboards

    Richard Turbet

    págs. 541-543

    

  • Questions of copyright

    Tess Knighton

    págs. 543-544