Organised sound

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  Año 2004, Vol. 9, Número 3

  • Playing with fire: an unexpected collaboration

    J. A. Allen

    págs. 229-232

    

  • Shared sounds in detached movements: flautist identities inside the `local-field' spaces

    T. Riikonen

    págs. 233-242

    

  • An interface for `flat music'

    C. Bailey

    págs. 243-250

    

  • The Pavilion: Into the 21st Century: a space for reflection

    R. Packer

    págs. 251-260

    

  • Collective composition: the case of Edison Studio

    L. Ceccarelli, A. Cipriani, F. C. Ciardo

    págs. 261-270

    

  • The Lucid Dream Ensemble: a laboratory of discovery in the age of convergence

    V. Moorefield

    págs. 271-282

    

  • The Meta-Orchestra: research by practice in group multi-disciplinary electronic arts

    Yolande Harris

    págs. 283-294

    

  • Mixing things up: collaboration, converging disciplines, and the music curriculum

    C. Watts

    págs. 295-300

    

  • Alternative venues for computer music: SoundGallery Living Room_ARTSHIP

    Margaret Schedel

    págs. 301-304

    

  • Marketing strategies for electroacoustics and computer music

    R. Mountain

    págs. 305-314

    

  • Look around and get engaged

    J. Chadabe

    págs. 315-316