Sight & sound

• 

  Año 2002, Vol. 12, Número 5

  • Billy Wilder

    Philip Kemp

    pág. 3

    

  • Rushes

    Gareth Evans

    págs. 4-5

    

  • The conformists

    Natasha Senjanovic

    págs. 10-11

    

  • Mother courage

    Linda Ruth Williams

    págs. 12-14

    

  • Boom raider

    Damon Wise

    págs. 16-18

    

  • Going south

    Naman Ramachandran, Raj Kajendra

    págs. 20-21

    

  • Hired hand

    Nick James

    págs. 22-24

    

  • Welcome to the circle. Bang bang

    págs. 26-28

    

  • 'Dear BBC' (Book)

    Kate Stables

    págs. 30-31

    

  • Action TV (Book)

    Kate Stables

    pág. 30

    

  • Your Face Here (Book)

    Kate Stable

    pág. 30

    

  • The Barrymores (Book)

    Peter Matthews

    pág. 30

    

  • Bollywood (Book)

    Kate Stables

    pág. 30

    

  • George Cukor (Book)

    Peter Matthews

    págs. 31-32

    

  • Digital Domain (Book)

    Kate Stables

    pág. 31

    

  • Reading the Vampire Slayer (Book)

    Mark Sinker

    pág. 31

    

  • Gay Fandom and Crossover Stardom (Book)

    Peter Matthews

    pág. 31

    

  • Faking It (Book)

    Peter Matthews

    pág. 31

    

  • John Barry A Sixties Theme (Book)

    Kate Stables

    pág. 32

    

  • Me & My Shadows (Book)

    Peter Matthews

    pág. 32

    

  • A Hundred Years of Japanese Films (Book)

    Nick James

    pág. 32

    

  • Mise-en-Sc è ne (Book)

    Peter Matthews

    pág. 32

    

  • Cassavetes on Cassavetes (Book)

    Peter Matthews

    pág. 32

    

  • Top Girls

    Charlotte O'Sullivan

    págs. 34-35

    

  • About a Boy (Motion picture)

    Kim Newman

    pág. 36

    

  • Ali G Indahouse (Motion picture)

    Leslie Felperin

    pág. 37

    

  • Bend It Like Beckham (Motion picture)

    Claire Monk

    págs. 38-39

    

  • Baise-moi (Motion picture)

    Ginette Vincendeau

    pág. 38

    

  • The Closet (Motion picture)

    Ginette Vincendeau

    pág. 40

    

  • The Count of Monte Cristo (Motion picture)

    Philip Kemp

    pág. 41