Forgery, Dis/possession, Ventriloquism in the works of A.S. Byatt and Peter Ackroyd.
Catherine Bernard
págs. 11-24
Everything You Always Hated about Thatcher's Britain: A Cultural Analysis of Mike Leigh's High Hopes (1988).
Chantal Cornut-Gentille D'Arcy
págs. 25-42
The Anxiety of Being Postcolonial: Ideology and the Contemporary Postcolonial Novel.
Chelva Kanaganayakam
págs. 43-54
Making Visible the Invisible: Reversing the Codes of Dominat Culture in Madonna's Videoclip Don't Tell Me.
Elena Oliete Pascual
págs. 55-70
Dylan Thomas's Animal Symbology in Celtic Tradition: The Inner Voice of a Poet.
Paula María Rodríguez Gómez
págs. 71-96
Sentimental Comedy in Martin Amis's "State of England" and "The Coincidence of the Arts.
Luc Verrier
págs. 97-110
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